60” x 40” - Enamel on Wood
Perhaps God is a woman? Perhaps we become like the stars when we die? Ascension is a painting filled with questions and wonder. As if floating in a back alley universe, outside of time and space, the sensual nude female in the painting moves with the rhythm of a dancer, kicking up stardust as she lies on her back. The yellow box in the painting seems caught in a limbo of expansion, or of sinking into black.
The painting began with a photoshoot with nude model coated in white paint to texture the skin. After capturing this image in a photo, it was transferred it to a halftone pattern, printed and hand-burned it into a silk screen emulsion. After silkscreening enamel to the wood by hand, it was finished with several intricate details and splashes in black and white enamel.
40” x 30” - Enamel on Wood
Packed with ferocity, primal sensuality and simplistic modern minimalism, Tiger Tastes Blood captures a powerful fluid grace and a primal energy with the strong lines of the female in the painting. The unique image crop intensifies the movement of the pose.
The painting began with a photoshoot with nude model coated in white paint to texture the skin. After capturing this image in a photo, it was transferred it to a halftone pattern, printed and hand-burned it into a silk screen emulsion. After silkscreening enamel to the wood by hand, it was finished with several intricate details and splashes in black and white enamel. The red stripe in the center of the painting enhances the aesthetic experience of this Andy Warhol inspired screen printed painting of a nude female body.
30” x 40” - Silkscreen Ink and Acrylic on Wood
What happens if you try to catch two rabbits? You catch zero.
An abstract experiment in texture and shapes - the stark contrast in Two Rabbits speaks to the flurry of the hunt. The wood panel was first coated in white acrylic and screen printing ink. Next, a layer of screen printed black ink was applied along with wild pours and splatters of paint. The paint was then smeared and chipped away to reveal the finished piece.
30” x 40” - Silkscreen Ink and Acrylic on Wood (SOLD!)
Exploring the sensual grace of the female body, Lessons of a Broken Heart II is inverted black paint on white. The model coated in statuesque plaster expresses the timeless mystery of romance, and the individual strength that comes from parting ways with a lover.
The painting began with a photoshoot with nude model coated in white paint to texture the skin. After capturing this image in a photo, it was transferred it to a halftone pattern, printed and hand-burned it into a silk screen emulsion. After silkscreening paint to the wood by hand, it was finished with several intricate details and splashes in black and white ink and acrylic.
30” x 40” - Enamel on Wood
The male body stands nude, hands crossed in front. The crop leaves the body anonymous, as a beast caught to be sold.
The painting began with a photoshoot with nude model coated in white paint to texture the skin. After capturing this image in a photo, it was transferred it to a halftone pattern, printed and hand-burned it into a silk screen emulsion. After silkscreening enamel to the wood by hand, it was finished with several intricate details and splashes in black and white enamel.
30” x 40” - Enamel on Wood
Exploring the sensual grace of the female body, Inamorata celebrates the passion and the chaos of emotions in a love affair. This painting speaks to the rekindling of a romance, an affair too good to end.
The painting began with a photoshoot with nude model coated in white paint to texture the skin. After capturing this image in a photo, it was transferred it to a halftone pattern, printed and hand-burned it into a silk screen emulsion. After silkscreening enamel to the wood by hand, it was finished with several intricate details and splashes in black and white enamel.
40” x 30” - Enamel on Wood
The long hunt rises to a climatic finish. Sweat and fury drip to floor. All that is left in the moment is to pull the trigger.
The painting began with a photoshoot with nude model coated in white paint to texture the skin. After capturing this image in a photo, it was transferred it to a halftone pattern, printed and hand-burned it into a silk screen emulsion. After silkscreening enamel to the wood by hand, it was finished with several intricate details and splashes in black and white enamel.
36” x 60” - Silkscreen Ink and Acrylic on Wood
An abstract experiment in texture and shapes - Shapes of the Long Night is a minimalistic gem. The canvas was first coated in acrylic and screen printing ink. Next, a layer of screen printed black and white inks were applied along with wild pours and splatters of paint.
Black rain falls on the nude female as she pauses to rest, weary from the hunt.
The painting began with a photoshoot with nude model coated in white paint to texture the skin. After capturing this image in a photo, it was transferred it to a halftone pattern, printed and hand-burned it into a silk screen emulsion. After silkscreening enamel to the wood by hand, it was finished with several intricate details and splashes in black and white enamel.
40” x 30” - Silkscreen Ink and Acrylic on Wood
This piece began with a photoshoot of a nude model coated in white paint to bring a statuesque texture to the skin. Lit under a spotlight, the model seemed to float in space. After capturing this image in a photo, it was transferred it to a halftone pattern, printed and hand-burned it into a silk screen emulsion. After silkscreening the image to the wood by hand, it was finished with several intricate details and splashes in black and white ink and acrylic.
This painting represents the moment of peaceful clarity of an adventure begun, and the acceptance of an inevitable parting from things left behind.
40” x 30” - Silkscreen ink and acrylic on wood
The prey has been on the run for days. The sound of the hunters close behind, the prey rises, instinct and adrenaline fueling another run.
The painting began with a photoshoot with nude model coated in white paint to texture the skin. After capturing this image in a photo, it was transferred it to a halftone pattern, printed and hand-burned it into a silk screen emulsion. After silkscreening paint to the wood by hand, it was finished with several intricate details and splashes in black and white ink and acrylic.
30” x 48” - Silkscreen Ink and Acrylic on Canvas
An abstract experiment in texture and screen print emulsions. The canvas was first coated in acrylic and screen printing ink. Next, a layer of screen printed black and white inks were applied along with wild pours and splatters of paint.
